Category: Tips for Writers

  • Memoir is Not a Diary: How to Tell Your Story in a Way That Resonates

    Memoir is Not a Diary: How to Tell Your Story in a Way That Resonates

    A memoir is not a diary. It is an artful act of storytelling, crafted to take readers on a journey of meaning and empathy instead of showcasing a list of private thoughts. While diaries chronicle daily events and emotions in chronological, personal detail, memoirs deliberately select, shape, and organize life’s moments so they resonate with…

  • Does Your Psychological Thriller Hook Readers Instantly?

    Does Your Psychological Thriller Hook Readers Instantly?

    When it comes to psychological thrillers, the hook in those first ten pages is make-or-break. This is where readers decide to settle in or slip away. Nail the opening and you set the emotional temperature and suspenseful tone for everything that follows. Let’s break down a practical checklist for achieving that irresistible hook, using five…

  • Writing a Psychological Thriller? Don’t Forget the Emotional Pacing.

    Writing a Psychological Thriller? Don’t Forget the Emotional Pacing.

    Every psychological thriller needs its signature elements: an unreliable narrator, inner crisis, mind-bending twists, and authentically complex characters that readers can’t stop trying to decode. But if you want your thriller to truly grip readers – page after breathless page – you also need strong emotional pacing. The rhythm of suspense, tension, and release that…

  • What Makes a Memoir

    What Makes a Memoir

    Welcome to the third installment of “What Makes a . . .” In What Makes a Memoir we will look at five elements that will have your readers lining up to learn and be inspired. If you’re shaping your memoir into a story that truly connects, you may also enjoy Memoir Is Not a Diary:…

  • What Makes a Fantasy Novel

    What Makes a Fantasy Novel

    Welcome to Part 2 of the “What makes a . . . ” series. In this post, we’re looking at the five elements that help a fantasy novel hook readers and carry them into an incredible journey. If you want to dig deeper into worldbuilding, you may also enjoy Fantasy Worldbuilding Blueprint: Avoid These 5…

  • What Makes a Psychological Thriller

    What Makes a Psychological Thriller

    Welcome to Part 1 of “What Makes a . . .” a series of posts where I will be sharing the top principles of what makes a certain genre really thrive. This post is all about what makes a psychological thriller work. Discover the five elements that will keep your readers guessing and questioning reality…

  • Grammar Tips from an Editor

    Grammar Tips from an Editor

    What Do Authors Need to Know? 9 Most Common Grammar Mistakes Whether you are polishing your first manuscript or gearing up for publication, grammar is essential. While storytelling is the heart of your book, clear and correct grammar is the vessel that delivers your story to readers. Even seasoned writers slip up on the basics,…

  • What it Means to Find Your Author Voice as a Writer

    What it Means to Find Your Author Voice as a Writer

    What it Means to Find Your Author Voice as a Writer “Find your voice” is advice every writer hears, but not every writer knows how to define it. How do you find your author voice? As an editor and book coach, I often see authors assume that voice is something they have to invent from…

  • Why Your Book’s First 10 Pages Matter More Than the Next 100

    Why Your Book’s First 10 Pages Matter More Than the Next 100

    You can write the most brilliant book in the world – but if the first 10 pages fall flat, most readers won’t stick around to find out. This isn’t just industry rhetoric, it’s a hard truth that shapes whether your book finds its audience, lands an agent, or ends up on a publisher’s desk. This…

  • 3 Signs You Might Be Too Close to Your Manuscript (and what to do about it)

    3 Signs You Might Be Too Close to Your Manuscript (and what to do about it)

    Are You Too Close to Your Manuscript? You’ve been living inside your manuscript for weeks, maybe months, or even years. You know it inside and out. You’ve rewritten scenes, reshaped chapters, reworked whole sections. And now? You can’t tell if it’s brilliant or a disaster. This moment is completely normal, and a telltale sign that…

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